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Lorenzo Harris - Prince Scarecrow
MMG - ARTIST SPOTLIGHT 07.01.05
 

THE ART OF SANFORD BIGGERS

Mandala of Co-option, 2001

Danpatsu (video still), 2001

Blak Belt Jones, 2001

Om II, 2002

 

     When many of us think of art, the image of a rectangular canvas with vibrant colors or some sort of detailed sculpture comes to mind. However, art is very subjective, and extremely versatile. In fact, it is defined as “human effort to imitate, supplement, alter, or counteract the work of nature. Meet Sanford Biggers, an artist who has succeeded in his “human effort” to create pieces that stem from various sources of inspiration and knowledge. Introduced to Eastern spiritualism and philosophy during a two-year stint in Japan, many of Biggers’ works are influenced by Buddhist themes along with hip hop culture and urban expressionism. The artist himself states on his website: “For several years a major portion of my work has dealt with the syncretism of seemingly disparate concepts and cultures. I address these issues through sculpture, installation, performance and video, creating artworks for which I borrow the ethnographic label power objects to describe.” When viewing select pieces of the Sanford Biggers collection in a national magazine, I was immediately captivated by the unusual complexity of his work and the materials used by him to produce them. So, what you will experience is a web art exhibition in which the artist describes the influences and creative processes behind five different pieces. Welcome and enjoy.

     Sanford Biggers, a native of Los Angeles, currently resides in New York where he has been since 1999. His first New York solo exhibition is currently on display at the Triple Candie gallery, which features a 40 x 20 ft. sand-painting that resembles an Islamic prayer rug. Biggers has also held solo exhibitions in contemporary art museums in Cincinnati, Baltimore and Houston. For more information about Sanford Biggers, log on to

www.sanfordbiggers.com.

 

Coming soon: Listen to Sanford Biggers speak

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